Life ... it is complex to define but simpler to enjoy! I started this blog with the aim to give a platform to my views about life and its nitty-gritties. I hope that through this blog I shall be able to interact with like-minded people who will identify with my way of life and thinking. Often we are short of words to have our feelings be expressed. Through the medium of this blog, I want to let off all my feelings and opinions out for a healthy and interactive debate.
This is my creation ... way back in 2007 ... was written for a competition ... does not have the finnese of poetry but was something I felt from heart and wrote!
How often do you get to watch a movie that is not just a three hour entertainment package delivered to you on screen, but more than that? A movie that is a lived experience for its audience. I watched one such movie recently. Of late, the Marathi movie industry has been producing some excellent stuff, with innovative story lines and bold characters. Director Mahesh Manjrekar has been at the forefront of this cinematic revolution. Anytime, I venture in to watch a Marathi movie, my expectations automatically turn sky high because Marathi cinema, over the past few years has actually spoilt its viewers for choice. Last week I watched the Nana Patekar starrer Natasamrat which means 'King of the theatre scene'. Through its trailers and subject, one feels that Natsamrat is a typically serious, art-oriented movie. And that it is. But deep inside, the movie offers a very enchanting story of an old man who once reigned the theatre scene in Maharashtra. With this, it offers ample life le…
Cast:Urmila Matondkar (Puro/Hamida), Manoj Bajpai
(Rashid), Sanjay Suri (Ramchand), Kulbhushan Kharbanda (Mohanlal), Lillete
Dubey (Mrs. Mohanlal), Sandali Sinha (Lajjo), Isha Koppikar (Rajjo), Priyanshu
Chatterjee (Trilok) Based
on Amrita Pritam’s Punjabi novel “PINJAR” Violent
bloodbath, massacres of scores of human beings and refugee exodus were the most
powerful symbols of the partition of the Indian sub-continent. Chandra
Prakash Dwivedi’s film Pinjar
represents the pain of the partition which engulfed three communities of India
– the Hindus, Muslims and Sikhs. The film is also the story of a family,
essentially the journey of the daughter of the family – Puro (UrmilaMatondkar
in a major role) and her transformation to Hamida, her loss of identity and her
agony. Pinjar is set in 1946 which
marked the pre-partition era. Even before the country was divided into two
parts, communal rage had spread all over an…
Over the years, female characters in popular soaps on Indian television have been portrayed regressively; as housewives engaged in domestic chores, as scheming experts playing kitchen politics or as sacrificial goddesses wanting to please their husband and family. The absence of dignified, real and ambitious working women in these soap operas successfully creates and reinforces misleading images of Indian women. It also deepens existing gender stereotypes that prevail in Indian society. Even as traditional realities are glamourized, the distortion of the working woman‟s image is apparent. The article examines popular serials and the portrayal of working women professionals in the light of television as a mass medium thriving on "infotainment".
Keywords: working women, television, gender stereotypes, Indian society, distortion, portrayal Television soaps go Traditional
The advent o…